Zorig Chusum

Cultural preservation is one of the pillars of Gross National Happiness. The National School of Zurig Chusum in Thimpu, is one of two institutes dedicated to the preservation and teaching of the traditional arts of Bhutan. The tradition arts include painting, wood, stone and slate carving, embroidery, tailoring, weaving, furniture making, paper making, stone work, sculpture, black smithing, silver and gold smithing, bronze casting, wood working, wood turning and cane and bamboo work. The great 15th century tertön, Pema Lingpa is traditionally credited with introducing the arts into Bhutan. In 1680, Ngawang Namgyal, the Zhabdrung Rinpoche, ordered the establishment of the school for instruction in the thirteen traditional arts.

Courses of study range from two to six years in duration, students applying as completion of Class 10 or 12 approaches. In addition to learning their specific craft, they take classes in business and marketing. On completion, graduates usual start their own businesses or partnerships. At the downtown end of the main street in Thimphu there are 83 craft stalls operated primarily by the graduates where their wares are available for sale to both locals and tourists.

Embroidery class
Embroidery of boots traditionally worn with a Gho
2nd year sampler. Both hand and machine embroidery are taught.
Embroidery graduate working at the Quality Thangka shop. This is two years of work
Wood carving, a six year course of study.
Finished product
Pema, a remarkable, award winning carver and painter with cerebral palsy. He carves and paints with his feet. These two carvings of the Four Harmonious Friends were brought home for our grandchildren
Slate carving
Sculpture. Clay is made from the pulp of the Daphne bush.
Sculpture workshop
Metal smithing
Weaving
Drawing studies come long before painting is initiated
Outline for the painting of the Eight Auspicious Signs. The focus throughout study is the reproduction of traditional works.
Natural mineral pigments for painting
Graduate of the Zorig Chusum School in his own shop. We were fortunate enough to purchase his painting of the Thousand Armed, Thousand Eyed Avalokiteshvara.
These gentlemen have a shop in the craft stalls. They mounted the two Thangka paintings we purchased onto the traditional brocade hangings. Margaret and I spent many evenings strolling the stalls, people watching and chatting with the craftspeople.
Brocade mounted Thangka painting, now in our study. Needless to say, our suitcases were as heavy and full on leaving as on arriving, despite leaving behind many kg worth of textbooks.
Outside the classroom

2 Comments

  1. Wow, this is incredible. What talent and dedication. It’s so important that these ancient arts are still important and well-cultivated.

    Like

Leave a comment